Live Performance

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Gala Night for Shimizu Kunio’s ‘The Dressing Room: That Which Flows Away Ultimately Becomes Nostalgia’

The Dulaang UP (DUP) closes its 40th theater season with Shimizu Kunio‘s The Dressing Room: That Which Flows Away Ultimately Becomes Nostalgia (adapted by Chiori Miyagawa from an original translation by John K. Gillespie), a 1977 post-war Japanese play and its gala night for the said English production is tonight, April 8 at Wilfrido Ma. Guerrero Theater, University of the Philippines-Diliman.

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Three actresses–Makil-Ignacio, Quesada and Maramara star in an all-female cast for its English version. Images courtesy of Dulaang UP.

Its all-female cast for the English version will star–Frances Makil-Ignacio, Ces Quesada, Missy Maramara and Maxine Ignacio; and will be directed by former DUP’s artistic director–Alexander Cortez.

The production is a play within a play and paints stories on frustrations, memoirs and aspirations of four actresses preparing by the ‘gakuya’ (means backstage in English) as they all await their turns to go onstage. The actresses express their desire to perform the lead role named Nina Mikhailovna Zarechnaya from a play of Anton Chekhov’s ‘The Seagull’.and their obsessions to covet it; ignite a comic yet dramatic narrative about shared memories and their relationship with each other. It is about a tender and humorous drama about actors, the theater, aging, surviving, and moving on.

For its Filipino version, it will be starred by Roeder Camañag, Andoy Ranay, Gwyn Guanzon, and Ian Ignacio. It will run from April 6-24.


Productions56’s Orlando Sol, Xyruz Cruz topbill ‘Shakespeare in Parade and the Filipino Electorate’

Masculados member—Orlando Sol and co-talent of Productions56—Xyruz Cruz star in a Fringe Benefits Productions play based on the original texts of Rlando S. Tinio titled ‘Shakespeare in Parade and the Filipino Electorate’, a deconstruction under the direction of Aurora D. Yumol, starts on Sunday, March 6 at Teresa Yuchengco Auditorium, De La Salle University-Manila Campus, Taft Avenue. It will have two runs on Sunday, March 6 at 11am and 3pm, respectively.


Orlando Sol is Macbeth in ‘Shakespeare in Parade and the Filipino Electorate’. Image courtesy of Fringe Benefits Productions.


Xyruz Crus is Romeo in ‘Shakespeare in Parade and the Filipino Electorate’. Image Courtesy of Fringe Benefits Productions.

Sol will play Macbeth while Cruz is Romeo opposite GMA-6 Artist and Starstruck Finalist—Analyn Barro as Juliet. Both talents who were discovered and have been harnessed by internationally-acclaimed TV and film master director—Maryo J. Delos Reyes are no strangers to acting on stage. In 2015, Sol was featured in a Virgin Labfest play titled—‘Huling Huli’, which was directed by filmmaker Lawrence Fajardo; while Cruz, also debuted in a stage production last year via of the same production group and play–‘Katwiran na May Katwiran’, also directed by Aurora Yumol.


Official Poster of ‘Shakespeare in Parade and the Filipino Electorate’. Image courtesy of Fringe Benefits Productions.

The two artists play vital roles as they appear as two opposing parties, the crises of the story, centered in political upheaval swings to the love scene-cum-balcony scene of Romeo and Juliet, as Macbeth received prophesies of the Three Furies that he leads an uprising Prince of Scotland as he led an uprising. And Macbeth did not escape death himself nor thus Romeo. Witness how Shakespeare interrogates his ‘imagined’ characters.

Veteran actress, theater director, a three-time Palanca awardee—Aurora Yumul is the artistic director of Fringe Bnefits Production and directs the deconstruction made possible by De La Salle University Medical Center-Dasmariñas City. It is also sponsored by 1771 Group of Restaurants, Make You Nanay Proud Foundation, Alliance of Concerned Teachers (ACT) Teacher’s Partylist, Office of the City Manila Mayor, Le Heim Music Center and Councilor Yul Servo.

Ballet Philippines’ Sapphire Season caps-off with ‘Manhid: The Pinoy Superhero Musical’

Growing up watching DC and Marvel cartoons on television was one of my favorite pastime and when I ran into the words of Peter Parker and Aunt May’s—I am reminded of how the newest venture of Ballet Philippines’ ‘Manhid: The Pinoy Superhero Musical’, opening on February 20 and closes the country’s premiere dance company’s 45th season, too.

For a nation in need of heroes - Manhid

In a nation that is run by corrupt officials and the people slowly pushed into a sea of polluted agendas, this musical return from its original production, after more than two decades, performed at the University of the Philippines with Eraserheads featured as composers and performers back in 1992.

Peter Parker’s words in the Spider-Man movie, though American in its tone, the universality of its message hold true to the Filipino audience, “Not everyone is meant to make a difference. But for me, the choice to lead an ordinary life is no longer an option.”

Kanakan-Balintagos a.k.a. Aureus Solito, a multi-awarded film director was the main author of this masterpiece together with TV and stage composer Vincent de Jesus, the co-composer of the musical set in waking up the senses of the Filipinos, particularly the youth.

Also, another stirring statement from the Spider-Man film, the one uttered by Aunt May, “Everybody loves a hero. People line up for them, cheer them, scream their names. And years later, they’ll tell how they stood in the rain for hours just to get a glimpse of the one who taught them how to hold on a second longer. I believe there’s a hero in all of us, that keeps us honest, gives us strength, makes us noble, and finally allows us to die with pride, even though sometimes we have to be steady, and give up the thing we want the most. Even our dreams.”

‘Manhid’ is about a new generation of Filipino superheroes redefined for today’s times. It is set in an alternate, present-day Philippines where EDSA revolution failed, but converged heroes and villains with superpowers along with people sick with Kamanhiran (Apathy, in English).

It is a battle of two groups of superheroes—the Maragtas headed by tabloid writer Bantugan Buenaventura with lady activist named Lam-ang Panganiban against the Tulisan led by General Apolaki Regalado, who is employed by Mamalahim-ma, a demonic Minister of Humanity who seeks to enslave the Filipino generation with an epidemic of Kamanhiran.

To make the production more appealing to the current theatergoers—the younger generation—it has assembled the geniuses of Solito, the former artistic director of UP TROPA, a theater organization in collaboration with the current artistic director of Ballet Philippines—Paul Alexander Morales as the show’s director and choreographer, Alden Lugnasin as co-choreographer, Francis de Veyra as musical director, Zard Eguia as set designer, Victor Ursabia as costume designer, Roman Cruz as lighting designer, and Radioactive Sago Project provides the live band.

Sandino Martin as Bantugan. Image courtesy of Ballet Philippines.

Sandino Martin as Bantugan. Image courtesy of Ballet Philippines.

However, for a meal, its main course are the cast members. Sandino Martin, a best actor awardee at Cinema One Originals for his role in ‘Esprit de Corps’ is the lead character named Bantugan. His alternate is BP’s apprentice—Mark Anthony Grantos. Lam-Ang’s character is shared by Teetin Villanueva, a recent UP Diliman theater arts graduate with Tanghalang Pilipino’s actor’s company member—Regina De Vera. Other cast members include Gold Villar, Kim Molina, Jean Judith Javier, KL Dizon, Ronah Rostata, Fredison Lo, Ricardo Magno, JV Ibeste, and Mayen Estanero.

Richardson Yadao as Apolaki. Image courtesy by Ballet Philippines.

Richardson Yadao as Apolaki. Image courtesy by Ballet Philippines.

BP dancers sharing center stage are Jean Marc Cordero, Katherine Trofeo, Richardson Yadao, Earl John Arisola, Cyril Aran Fallar, Emmanuelle Guillermo, Timothy Paul Cabrera, Rita Angela Winder, Denise Parungao, Kazier Policarpio, Ma. Celine Dofitas, Victor Maguad, and Erl Emmanuel Sorilla.

The musical will have a three-weekend run at the Cultural Center of the Philippines Main Theater on February 20-22, February 27-March 1, and March 6-8.

For more information about the show, visit its official website or contact its dedicated line at (632) 551-1003; for tickets, call CCP Box Office at (632) 832-3704 or call Ticketworld at (632) 891-9999.